About the Ghastling

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Book Four

This issue is, I warn, far more gruesome than the previous three – far more ‘Grimmsian’ where the family unit is troubling, unsettling, terrifying even, and far from the bosom nest of comfort and love. These stories cut close to the bone of life: our internal conflicts, our demons, our dark sides; that little bit of wickedness that most of us, thankfully, are able to keep a lid on… These stories are a sequence of nightmares that are sure to delight your ghoulish minds:

Carly Holmes’ macabre tale, Dropped Stitches, resonates with Grimms’ about a girl born with an extra two fingers on each hand…

Mordechai Lazarus’ Butcher’s Stump is a horrifying tale of religious piety, folkloric in narrative, the story of a Butcher and his son that uncovers the chilling consequences of rebelling against your parent’s wishes – and being caught out…

Subashini Navaratnam’s disturbing tale of motherhood nods to far Eastern mythologies and folklore – beware of those assuming the female form, the shapeshifters we must be careful of around these parts. Horror at its best.

Nigel Jarrett’s ghost story tells of ‘bringing back’ more than you find as strange occurrences unfold during an archaeological dig. Something else wanted to be found…

Kirstin Mckenzie Berge’s story of a statue at the centre of a child’s game. Those stories that are passed down through generations – those dares we set with the things we are told to fear – by what, or whom- we don’t know, that’s just the way it’s always been and we’ve all been that child afraid to look, afraid to turn around…

Drew Buxton’s Bat Boy set on a remote farm in America will have you suspended in a state of tension to the very end. Beware of bats falling from the sky…

Matt Milone’s The Bereaved is a highly evocative and deeply moving tale of a future where the dead aren’t necessarily buried…

Louise Lloyd’s Mortus Sum where a young boy playing alone near a mausoleum by his house loses his ball. When he retrieves it, he finds more than just the ball, a spectre pursues…

A.S. Ford’s Burking explores the grubby gruesome world of Victorian graverobbers.

Chris Lambert’s peculiar and clever story, The Patient, where a husband believes his wife might actually be a ghost. Tip: paying attention has never been so important…

E.M. Edwards House on Sea Street tells the tale of an old sea captain’s haunting…

All of these stories will delight you, and some will likely keep you awake at night and perhaps we might consider, there are far more horrors, far more to fear in the living than the dead…

and it doesn’t do to ignore your nightmares…

Enjoy?

 

 

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This is the long anticipated, eagerly awaited third issue. The tales in this collection hang between the living and the dead. Stories that ask questions about ‘mortality’ and a surreptitious theme of the ‘curse’ runs its cloying thread throughout; explores thresholds, interior hauntings and relationships with the inanimate. This time of year sees the release of the ‘darker things’ we so enjoy reading and watching during winter. The time of year that brings shadows, short days and long nights. So what do we have for you? Well, come closer and I shall tell you.

Calling the Dead explores the unfinished business of the ‘recently departed’, and is a cautionary tale for the living: do not play with the dead, else they will play with you. In The Woodchester Happening, an encounter with a seemingly mute boy leads to a strange and disturbing sequence of events. A Precious Possession is a peculiar tale of a box recently inherited, opened, when frankly, it was best left closed… In The Tower, a traveller finds himself amongst the ruins of an ancient and foreboding place in rural Eighteenth Century France, beware, reader, of the one who tells the tale… A film crew arrive in rural Spain to observe the rituals of a macabre festival at the site of a drowned village, unaware that they will become a little more than just spectators in The Village Below. Tight-Lipped is a chilling tale of what happens when a Ventriloquist dies and the grieving are faced with the, now detached, extended entity of the recently deceased. Having lost the extension which gave it life, character, a voice… Sacrilege then surely, to interfere with the ventriloquists’ belief to treat the dummy as though it were, in fact, living… Moth tells the tale of a young homeless man, recently out of gaol, seeking safety and solitude in a city cemetery but finds himself in unsettling company: the company of a soul collector to be precise…

This collection is not only made to chill the spine but is thought-provoking too. Our ability as humans to believe in the potential of ‘otherness’ in every living and created thing is one of the best things about being human. To believe that curses fall upon us like an illness and can be passed along by ‘carriers’- living or otherwise – makes us wary of the ‘something’ we don’t want to mess with. Our superstition can either plague us or save us… So, once again, dear and precious reader, I advise you to proceed with caution. And if you do find yourself suddenly ‘bequeathed’, take care.

Enjoy the coming darkness,

Rebecca Parfitt, Editor

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A magazine of ghosts, the macabre and the oh-so peculiar. We are looking for literary fiction, illustration that chills, shivers, surprises and horrifies.

Who do we like?

 M.R. James, Charles Dickens, Henry James, Susan Hill, Walter de la Mare, H.P. Lovecraft, Ray Bradbury, Jules Barbey d’Aurevilly, Edgar Allen Poe, Wilkie Collins, Jeannette Winterson, Sarah Waters, E. Nesbit, Helen Dunmore, E.F. Benson and Shirley Jackson.

Topics we like:

tales of the occult, black magic, superstition, folklore terrors and circus sideshows. 

We don’t like:

Twilight or any associated texts e.g: Dark Romance, and terrible clichés of any of the above! No gore please, we favour the psychological rattling of our brains…

Editor: Rebecca Parfitt

Contact her: editor@theghastling.com